Concert: ECHÒRA - Francesca Remigi, Luca Zennaro, Nazareno Caputo
2 June 2026
On Tuesday, June 2 at 9:00 PM, the musical project ECHÒRA will perform live, concluding a day-long residency at OPOS dedicated to sound research and spatial improvisation. The event will be open to the public and represents a performative moment in which the practices explored במהלך the day take shape in a living, ever-evolving musical form.
ECHÒRA is a musical project rooted in the idea of space as a living dimension and a sonic environment to inhabit. The name itself encapsulates this vision: “Echo” refers to the phenomenon of sound reflecting off a surface when the distance allows the returning sound to be distinguished from its source; “Chora,” on the other hand, is a term of Greek origin meaning “land,” “country,” “region,” or “space.” In antiquity, it could refer both to the territory of the polis and its surrounding countryside, and, in a philosophical sense, to the primordial space of creation—the receptacle of matter in which forms come into being.
ECHÒRA emerges from the intersection of these two dimensions: space as a shared territory and as a creative matrix that, through resonance, generates new forms. Within this framework, music develops as a malleable and constantly shifting material, shaped in relation to its surrounding environment. The trio’s compositions take the form of open structures, adaptable to the acoustic context of each performance: each piece allows for multiple possible developments, modulated according to the characteristics of the space—from reverberation and scale to the presence of the audience.
Improvisation serves as the project’s primary tool for investigating space, moving beyond pure virtuosity to become a method of collective exploration. Particular attention is given to public space as a privileged site for performance: in continuity with the political and territorial meaning of “chora,” ECHÒRA is also driven by the desire to bring music back into the shared spaces of the city, temporarily reactivating them as places of listening and connection.
Photos by Irene Guastella
Video by Thomas Duncan